"Joe College" is an excerpt from Lanny Larcinese's memoir, which is a work in progress.
I grew up during the fifties and sixties and spent a lot of time at our family-owned restaurant in a semi-industrial area of Detroit. I needed a short leash, so even before I worked regularly at the Bungalow Bar B-Q, I often had to be there while my parents worked the place. But I soon grew to love its parade of characters as well as street scenes I witnessed riding with Dad or one of the delivery guys. The rich array of people and action were so much more interesting than our middle class, white-bread neighborhood where we lived—broken rules and busted lives being more fascinating than phalanxes of lemmings.
Of them all, my favorite was Joe College. He was afflicted with cerebral palsy so bad he’d joke—with spit running down his contorted, grimacing mouth—that when he died, they wouldn’t bury him, they’d screw him into the ground.
When I first met him, his severely weird handicap and baby-like demeanor were strangely alluring to a seven year old boy, just as a praying mantis or black snake might be. But I watched as my father treated him kindly, and knew that if I did too, I could get closer to this strange and exotic character and indulge my fascination.
His big, yellow, three-wheeled bike parked kitty-corner from the Bungalow announced that his newsstand was open for business. People often paid him a dollar for a paper that cost two bits, or waited patiently while Joe reached into his cigar box to make change, his arms and hands flailing as if drawing doodles in the air.
Nobody knew his real name, and from early on I could not only understand his extremely slurred and garbled speech, but would sit and talk with him as long as he cared to chat, or got warm from the brutal Detroit winters. He never took a day off.
Blonde Betty is lost in thought at the table near the kitchen as she folds and assembles delivery boxes while I sit with her doing my eighth grade homework. Betty and I are company to each other even amidst a pause in our chatting. Dad is running an errand and it is a windy ten degrees outside; the dining room is empty but for Betty and me. We both look up when a frigid draft signals that the front door is opening.
A gnarled hand appears on the inside of the door and slowly pushes it open, even though it has no resistance from any pneumatic device. “It’s Joe,” Betty says, as she continues folding and assembling the take-out boxes now stacked four feet high on the next table.
It takes Joe College forever to sidle the rest of the way through the door. The cold draft is now practically a wind as the open door on the opposite end of the dining room sucks out the heat. His frail body is all jutting angles and knobby bones with the muscle strength of a baby. He is wearing a winter cap with earflaps and dangling laces and an orange winter jacket that covers his corkscrew frame down to his knees.
I yell, “Hiya Joe!” and give an exaggerated wave. He acknowledges me with a circular arm motion of his own that looks like an orchestra conductor’s—Joe’s version of a wave—and his practically vertical, slobbering mouth twists itself into a grin as he grunts, “Uggghha Hn!” which is Joe-talk for “Hiya Lan!”
As he gingerly makes his way down the aisle towards us he must hold on to each table that lines the aisle, no simple task since his arms have minds of their own and his weak, bent knees barely hold him up while his spine is contorted like wet spaghetti; his balance is as tenuous as an eleven-month-old child’s.
Neither Betty nor I offer a hand; Joe wouldn’t have it. Tortured step by tortured step, he makes it to our table, falls into a chair, and says in Joe-talk, “I bet my nose looks like a cherry,” and grunts—which to him is a laugh—while spit and snot run down his face.
I take a napkin and wipe it clean. I take off his hat and set it in a chair. I unzip his jacket. Though his speech is extruded through severely impaired throat and tongue muscles, I understand it. He told me once when I was a little boy that I was one of the few people who could understand him. I could tell even then that attention was the biggest gift he could ever expect of life, and unlike others, I refused to turn away and make him invisible.
I yell out to the kitchen, “Hey Eunice! Cheeseburger and fries for Joe! Don’t forget to toast the bun!” Joe has heard me yell it often over the last six years. He knows that Eunice knows to toast the bun, but that little command, barked by the boss’s son in his behalf, causes his eyes to shine as a twisted grin forces itself onto his spastic, dribbling jaw.
My Dad sold the business during my twenties and I never saw Joe again, but over many decades I never forgot him. His mangled body and recalcitrant nervous system gave him every justification to be bitter or envious or despairing, yet he seemed as happy as fate could allow. I came to understand that though we treated him like a child, he knew what he brought to us, knew that our goodwill towards him made us better, and that it was the resonance between him and us that lit up the room. He said to me once in his Joe-way, “You’re happy to see me, aren’t you?”
Nothing was twisted about Joe’s soul. It was as straight as an angel’s wing.
Lanny Larcinese is a native mid-westerner who has lived in Philadelphia for 35 years. He is the author of “Manufacturing Dystopia,” first prize winner for fiction at the 2015 Philadelphia Writers Conference, “Whatever You Do, Work Heartily,” first prize winning essay of Lower Merion Library System One-Book-One contest, and other published short stories and essays. He is currently polishing a novel, Dear Dad, They’re Dead, and a memoir, Women: One Man’s Journey, from which “Joe College” is excerpted.